<record xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/MARC21/slim http://www.loc.gov/standards/marcxml/schema/MARC21slim.xsd" xmlns="http://www.loc.gov/MARC21/slim"><leader>01503nam a2200253 a 4500</leader><controlfield tag="001">03-0006914</controlfield><controlfield tag="005">20000329174802.0</controlfield><controlfield tag="008">970701s1982 nyua u000 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">82-71806</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0801415454</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML60.H4983</subfield><subfield code="b">M88 1982B</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Henze, Hans Werner,</subfield><subfield code="d">1926-</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Music and politics :</subfield><subfield code="b">collected writings, 1953-81 /</subfield><subfield code="c">translated by Peter Labanyi</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Ithaca, NY :</subfield><subfield code="b">Cornell University Press,</subfield><subfield code="c">1982.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">286 p., [8] p. of plates :</subfield><subfield code="b">ill.</subfield></datafield><datafield tag="505" ind1=" " ind2=" "><subfield code="a">Illustrations -- Publisher's note -- Introduction -- Chronology -- First works -- German music in the 1940's and 1950's -- The bourgeois artist -- Naples -- The message of Music -- Visconti and opera production -- Castelli Romani -- Music as a means of resistance -- instrumental composition -- Gustav mahler -- Second piano concerto -- experiments and the avant-garde -- Does music have to be political? -- Art and the revolution -- Second violin concerto -- The task of revolutionary music -- musical life in Cuba -- Signs -- Opera belongs to all -- A new journal -- Music for Edward Bond's orpheus -- Benjamin Britten -- Paul Dessau - The Montepulciano cantieri, 1976-80 -- A letter to young artists.</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Henze, Hans Werner,</subfield><subfield code="d">1926-</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Composers</subfield><subfield code="z">Germany</subfield><subfield code="x">Biography.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and state.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Labanyi, Peter</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://example.com/</subfield><subfield code="y">Link text here</subfield><subfield code="z">Public note here</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://example.com/</subfield><subfield code="y">Link text here</subfield><subfield code="z">Public note here</subfield><subfield code="9">BR3</subfield><subfield code="9">SYS1</subfield></datafield><datafield tag="901" ind1=" " ind2=" "><subfield code="a">a342428</subfield><subfield code="b">Sirsi_Auto</subfield><subfield code="c">342428</subfield></datafield></record>